The term "comic book" is derived from their "funny page" origin the funnies were created to attract kids to enjoy newspapers with their parents (although many grown-ups enjoyed the funny pages as well). Famous Funnies hit the newsstands in 1933 and created an industry. The earliest Comic Books were reprints of funny page strips, collected and bound in pulp magazines. The Dailies are usually shorter and printed in black and white, while the Sundays are longer pieces and usually colorized. Newspaper strips are divided into Daily and Sunday strips. In 1895 Joseph Pulitzer's New York World began to publish "Hogan's Alley." In 1897 "The Katzenjammer Kids" appeared in a Sunday Supplement to Hearst's New York Journal. By the late 19th century, comic strips began to appear in American newspapers. During the Middle Ages Biblia Pauperum, Pauper's Bibles were published with Bible stories in illustrated form.
Funny pages comics series#
The art of telling stories through a series of pictures goes back further than the Egyptian Hieroglyphics, all the way back to Cave Wall Paintings. Meanwhile, Kline throws other oddballs in Robert's path, like a truly unnerving, screaming, opioid-addicted older woman who just happens to be portrayed by 1970s television star Louise Lasser.Sequential Illustration is a storytelling method that dates back to Stone-Age Cave Wall Paintings, but the Comics inspired many Old Time Radio Favorites. The other actors playing principal roles - both veterans like Maher and newcomers like Emanuel - similarly find ways to highlight their characters' weirdness without giving up their humanity. Zolghadri nails Robert's brand of nerdy confidence, while also finding the pitiable in him. He uses others as pawns in his own ambition - Wallace, yes, but also his friend Miles (Miles Emanuel), who also draws, but not at the expense of everything else in his life. Robert is often arrogant and cruel, a child of privilege who thinks he's a rebel. Zolghadri, who has appeared in Eighth Grade and Alex Strangelove, is in the unenviable position of playing a hero that you will probably want to punch in the face at least sometime throughout Funny Pages' 90 minutes.
Funny pages comics professional#
While Wallace is initially peeved by Robert's eager questions, he eventually sees an opportunity for himself, and starts to entertain the teen's desire to be taught the ways of an actual professional comic book artist. Robert's ears perk up, however, when he realizes that Wallace used to be a color separatist at Image Comics.
There, he meets Wallace (Matthew Maher), a squirrely, anxious man facing potential jail time. To support himself, Robert gets a job as a stenographer for the public defender assigned to him when he's caught breaking into his dead teacher's apartment. After his beloved art teacher (Pulitzer Prize-winning playwright Stephen Adly Guirgis) dies in a gruesome car accident that Robert witnesses, Robert tells his frustrated parents that he's quitting school, and moves out of their upper middle class home in Princeton for an illegal residence in Trenton that he shares with two older men. He has a job at a comic book store where he and the other employees turn their nose up at superhero fare in favor of the weird and overtly sexual. Robert is a talented if maybe a little too assured high schooler who wants to make drawing perverse comics his life’s work. If you can stand it, it's a brutal coming-of-age story about a kid's own snobbery coming to bite him in the ass. It's no surprise then that Funny Pages was produced by Uncut Gems' Josh and Benny Safdie, the kings of stressful cinema, and has the same quasi-voyeuristic, should-I-really-be-watching-this energy.
Kline is probably still best known for his work on screen as the little brother of Jesse Eisenberg's character in Noah Baumbach's The Squid and the Whale, but Funny Pages establishes him as an excitingly grimy talent and a director who relishes in making his audiences and characters deeply uncomfortable.
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